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British Wildlife is the leading natural history magazine in the UK, providing essential reading for both enthusiast and professional naturalists and wildlife conservationists. Published eight times a year, British Wildlife bridges the gap between popular writing and scientific literature through a combination of long-form articles, regular columns and reports, book reviews and letters.

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Conservation Land Management (CLM) is a quarterly magazine that is widely regarded as essential reading for all who are involved in land management for nature conservation, across the British Isles. CLM includes long-form articles, events listings, publication reviews, new product information and updates, reports of conferences and letters.

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Academic & Professional Books  Botany  Plants & Botany: General

Wild Flowers

Monograph
Series: New Naturalist Series Volume: 5
By: John Gilmour(Author), Stuart Max Walters(Author)
256 pages
Publisher: HarperCollins
NHBS
Wild Flowers, with its accent on history, ecology and the communities of plants, makes a really important contribution to the understanding of our flora, not only by the general naturalist but by those working in other fields of natural history. as well as the general enthusiast
Wild Flowers
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  • Wild Flowers ISBN: 9780007278527 Hardback Jun 2008 Out of Print #173615
About this book Related titles

About this book

Complete your New Naturalist collection with Harper Collins's facsimile versions, which are printed on demand. Wild Flowers was first published in 1954.

Enthusiasm is a quality that all true scientists possess, but not all express. Yet without the magic of enthusiasm the natural history movement could never have captured the heads and heards of the British people, making scientists of amateurs and amateurs of scientists.

One of the many agreeable qualities of Wild Flowers is the way in which it retains the freshness and sense of wonder of the beginner. Dr. Gilmour is the botanical editor of this series, and we are fortunate that both he and Mr Walters, his able and learned colleague at Cambridge, have not forgotten their first excitements, difficulties, mistakes and triumphs.

Indeed, the purpose of Wild Flowers is to supply an introduction to British wild flowers for those who (though keen and interested) may feel in need of guidance. Readers will also find that Wild Flowers succeeds in far more than this, since, with its accent on history, ecology and the communities of plants, it makes a really important contribution to the understanding of our flora, not only by the general naturalist but by those working in other fields of natural history.

The writers also lay great stress on the part that amateurs can play in building up the scientific knowledge of our plants. In addition, their account of the history of British field botany is probably the best of its kind yet written and there are numerous and apposite quotations from the poets, a surprising number of whom also appear to have been botanists.

Wild Flowers will help many take a broader and deeper view of what is meant by the subtitle Botanising in Britain.' No longer is botany a remote and mysterious science protected from the intelligent public by a stuffy network of private language.

Customer Reviews

Monograph
Series: New Naturalist Series Volume: 5
By: John Gilmour(Author), Stuart Max Walters(Author)
256 pages
Publisher: HarperCollins
NHBS
Wild Flowers, with its accent on history, ecology and the communities of plants, makes a really important contribution to the understanding of our flora, not only by the general naturalist but by those working in other fields of natural history. as well as the general enthusiast
Media reviews

"This is a truly important book, for it includes much historical, biological, ecological and geological learning, lucidly presented to the amateur reader. A book to be read with pleasure by any amateur botanist or lover of the wild flowers of our country."
– V. Sackville-West, Observer

"Will without a doubt, appeal to all who take an intelligent interest in our countryside!it contains some very fine monochrome reproductions of photographs and some in colour are delightful."
The Times

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