Paper Tiger A Visual History of the Thylacine

About this book

Please note that the author has re-published this title in a slightly updated format in 2014 with an Australian publisher as Paper Tiger: How Pictures Shaped the Thylacine.

Images of animals generate perceptions that have a profound effect on attitudes toward species. Can representations contribute to their extinction? Paper Tiger considers the role of illustrations in the demise of the thylacine or Tasmanian 'tiger'. It critiques 80 engravings, lithographs, drawings and photographs published between 1808 and 1936, paying attention to the messages they convey, the politics of representation, and the impact on the lives of animals.

This approach challenges conventional histories, offers new understandings of human-animal interactions, and presents a chilling story of just how misleading and powerful visual representation can be. It demonstrates how pictures, together with words, can have a vital influence on species' survival...Paper Tiger is a remarkable achievement.

Contents

Foreword
Acknowledgements
Timeline
Introduction
Extinction of the Thylacine
Cultures of Natural History
Animals in Print
The Zoological Illustration

1. “In Every Respect New”
An Injured ‘Opossum’
The Ambivalence of George Prideaux Harris
Imagining the Monster
French Copies
The Mystery of Bilderbuch für Kinder
British Copies
Imperial Pressures
Transformations
Continental Impressions
British Images

2. Vermin!
The Naturalist’s Library
Lizars’ Engraving
Constructing a Sheep-Killer
Copies and Reproductions
Adaptations
Economic Zoology

3. “Mr. Gould’s Very Beautiful Work”
The Thylacine Comes to Britain
The Mammals of Australia
Colonial Networks
Joseph Wolf
Copies
Louisa Meredith
Broinowski’s Folly
More Copies

4. A Tasmanian Wolf
Wolf Mythology
Crying Wolf
More Continental Versions
Newspaper Illustrations
Reading Darwin’s Theories
Variations
The Images
Colour Plates

5. The Impact of Photography
The Open Door
In London Zoo
Tasmanian Captives

6. The Thylacine Refigured
Posing the Animal
Cropping the Image
New Backgrounds
Removing the Backdrop
Fabricating the Scene

7. Forgetting and Remembering
Moves toward Conservation
Emblems and Brands
Idols, Fetishes and Totems
Sealed with a Thylacine
List of Illustrations
Bibliography
Index

Customer Reviews

Biography

Carol Freeman is a Research Associate at the University of Tasmania. Her various publications focus on visual representations of animals, bioethics, and the role of popular culture in wildlife conservation. She is also co-editor of Considering Animals: Contemporary Studies in Human-Animal Relations, to be published by Ashgate.