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Victorian Nightshades tells the story of how one plant family – notorious for centuries in England because of its frequently psychoactive and poisonous properties – rose to social and economic prevalence during the nineteenth century. Beginning with bittersweet and belladonna, the Old World species associated with evil, witchcraft, and dangerous women in an era when traditional botanical beliefs not only assigned morality to plants but also gendered them, Campbell then moves to the ubiquitous potato and tobacco before concluding with four of the Solanaceae that achieved the widest national favour by the end of the century: the ornamental petunia and the edible pepper, eggplant, and tomato.
The story of the nightshades exposes the conflicts between science and popular sentiment and between knowledge and received opinion that defined the nineteenth century. Campbell compellingly details how advances in medical and botanical knowledge, evolutionary theory, and the vagaries of human desire transformed the Solanaceae from a plant family plagued by fear and hostility in the British imagination to one of cultural favour and celebration by the turn of the century – encapsulating the Victorian era's course to modernity.
List of Illustrations
Acknowledgments
1. A Family Plot
2. Bittersweet: The Climbing Nightshade
3. Dulcamara: Affairs and Elixirs of Love
4. Belladonna: The Deadly Nightshade
5. Victoria's Secrets: Sex, Drugs, and Belladonna
6. The Triumph of the Potato
7. Sublime Tobacco: Now Let Us Praise the Deadliest Nightshade
8. Back to the Garden: Petunias, Peppers, Eggplants, and Tomatoes
Notes
Bibliography
Index
Elizabeth A. Campbell is Professor Emerita in the School of Writing, Literature, and Film at Oregon State University and the author of Fortune's Wheel: Dickens and the Iconography of Women's Time.
"A deeply learned and researched, original, and fascinating study. How does a plant family, which had historically been understood through a lens of fear and hostility, get transformed into one of cultural predominance? This book shows how plants – here, tobacco, potatoes, petunias, belladonna as medicine – gave birth to many of the features of the modern moment."
– Amy King, St. John's University, author of Bloom: The Botanical Vernacular in the English Novel and The Divine in the Commonplace: Reverent Natural History and the Novel in Britain.
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