Um genaue Preise zu sehen, wählen Sie bitte Ihr Lieferland.
 
 
United States
£ GBP
Alle Kategorien

British Wildlife

8 issues per year 84 Seiten per Ausgabe Nur im Abonnement erhältlich

British Wildlife is the leading natural history magazine in the UK, providing essential reading for both enthusiast and professional naturalists and wildlife conservationists. Published eight times a year, British Wildlife bridges the gap between popular writing and scientific literature through a combination of long-form articles, regular columns and reports, book reviews and letters.

Abonnement ab £33 im Jahr

Conservation Land Management

4 Auflagen im Jahr 44 Seiten Nur im Abonnement erhältlich

Conservation Land Management (CLM) ist ein Mitgliedermagazin und erscheint viermal im Jahr. Das Magazin gilt allgemein als unverzichtbare Lektüre für alle Personen, die sich aktiv für das Landmanagement in Großbritannien einsetzen. CLM enthält Artikel in Langform, Veranstaltungslisten, Buchempfehlungen, neue Produktinformationen und Berichte über Konferenzen und Vorträge.

Subscriptions from £26 per year
Akademische und professionelle Bücher  Reference  Collections Management  Care & Conservation

Artists' Pigments, Volume 2 A Handbook of Their History and Characteristics

Out of Print
By: Ashok Roy(Editor), Earl A Powell III(Preface By), Ross M Merrill(Foreword By)
231 pages, colour & b/w photos, colour & b/w illustrations, tables
Artists' Pigments, Volume 2
Click to have a closer look
  • Artists' Pigments, Volume 2 ISBN: 9781904982753 Hardback May 2012 Out of Print #217912
About this book Related titles
Images Additional images
Artists' Pigments, Volume 2Artists' Pigments, Volume 2Artists' Pigments, Volume 2Artists' Pigments, Volume 2

About this book

Each volume in this four-volume set concentrates on different pigments. The series is an Encyclopedic Reference intended for:
- The practising artist to learn a pigment’s color, hiding power, lightfastness, toxicity, compatibility;
- The art historian to know how an artist worked, what pigments were used, whether they were pure or mixed, opaque or transparent, layered or not;
- The conservator to devise techniques necessary for the care and conservation of works of art, to determine what is original, to repair damages, to compensate for missing portions of a painted surface;
- The curator and the connoisseur to know the history of manufacture and use of pigments, to authenticate and assign probable dates to works of art;
- The conservation scientist to learn identification methods used, including optical microscopy, microchemical tests, X-ray diffraction, infrared and reflectance spectrophotometry, and electron microscopy.

This volume has been reprinted without modification in the form first published in 1993.

Customer Reviews

Out of Print
By: Ashok Roy(Editor), Earl A Powell III(Preface By), Ross M Merrill(Foreword By)
231 pages, colour & b/w photos, colour & b/w illustrations, tables
Current promotions
NHBS Moth TrapBritish Wildlife Magazine SubscriptionNew and Forthcoming BooksBuyers Guides