To see accurate pricing, please choose your delivery country.
 
 
United States
£ GBP
Newsletter Google 4.9 Stars

British Wildlife

8 issues per year 84 pages per issue Subscription only

British Wildlife is the leading natural history magazine in the UK, providing essential reading for both enthusiast and professional naturalists and wildlife conservationists. Published eight times a year, British Wildlife bridges the gap between popular writing and scientific literature through a combination of long-form articles, regular columns and reports, book reviews and letters.

Subscriptions from £33 per year

Conservation Land Management

4 issues per year 44 pages per issue Subscription only

Conservation Land Management (CLM) is a quarterly magazine that is widely regarded as essential reading for all who are involved in land management for nature conservation, across the British Isles. CLM includes long-form articles, events listings, publication reviews, new product information and updates, reports of conferences and letters.

Subscriptions from £26 per year
Tap cross to close filters
Best of WinterNHBS Moth TrapNew and Forthcoming BooksBuyers Guides
Sort by

Yale University Press

YUP is one of the oldest and largest American university presses, began publishing from a ‘cubbyhole-sized’ office in Manhattan. All natural history’s multiple strands are represented in the more than 450 new books YUP publishes each year, with a diverse selection of specialist and general interest wildlife and environment  titles in its catalogue. Among the many titles in YUP’s back-catalogue is Roderick Frazier Nash’s Wilderness and the American Mind, a classic study of changing attitudes to wilderness during American history, first published in 1967, which has been called the ‘Book of Genesis for environmentalists’.

From 1918 to 1948 all its books were designed under the watchful eye of craftsman-printer Carl Purington Rollins, credited with setting the design standard for university press books throughout the United States. Rollins insisted on attention to detail and good typefaces - ‘good typefaces cost no more to set up than poor ones,’ was one comment. Many of his books were lauded for their design by the American Institute of Graphic Arts.